Review: The Lost Child finds its place

There comes a point where people develop certain expectation when they hear a game is a first-person dungeon crawler. Long slogs into labyrinths to map out their intricacies, character management, devious traps and hours spent exploring all come to mind. But this is not necessarily the case with The Lost Child. This game mixes in elements from other genres, like visual novels. It inhabits the same world as El Shaddai: Ascension of the Metatron, Director Takeyasu Sawaki’s previous game. It even factors morality into party building. It is an interesting blend that helps stave off monotony and offer additional intrigue.

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Review: Shin Megami Tensei: Strange Journey Redux is an experience you can’t re-fuse

Atlus has a great track record of revisiting its portable gems and giving them a new coat of paint. Just on the 3DS, it’s remastered both Devil Survivor games, the first two Etrian Odyssey releases, Radiant Historia and even the long-dead Soul Hackers. Shin Megami Tensei: Strange Journey Redux follows this well-established formula, retaining the original Strange Journey‘s gameplay while refining the visuals just a bit and adding new veins of gameplay to explore.

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English Vita otome games: a guide

In the years since Hakuoki: Demon of the Fleeting Blossom made its English debut in 2012, otome games have enjoyed a surge of popularity worldwide. The genre went from an unknown to one that received multiple releases on various platforms each year. Sony handhelds have long been a haven for such titles, with people who own a Vita enjoying the fruits of this bevy of releases.

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